Through Layla’s political awakening, we come to understand the underlying commitments and hopes that her generation carried through the revolution. During our trip to Cairo, Caroline and Sarula fell in love with all of the friendly street cats that greeted us everywhere we went, from the market in Khan el-Khalili to Tutankhamun’s tomb in the Cairo Museum. Anna is anxious and introspective.
The Maadi in 2016. There is no one there to comfort her, as she has lost all of her close relatives on her mother’s side and her father and friends don’t fully understand. Photo taken by Francesco Dragone. Photo taken by Francesco Dragone. The Urology and Nephrology Center at Mansoura University. Lissa is a graphic novel written by academics Sherine Hamdy and Coleman Nye, and illustrated by artists Sarula Bao and Caroline Brewer. This hospital is the base where Layla and her medical student peers learn clinical skills. As young girls in Cairo, Anna and Layla strike up an unlikely friendship that crosses class, cultural and religious divides, PART I: Cairo Photo taken by Sherine Hamdy.
She learns of those who sacrificed their lives so that risk can be more fairly distributed. Même recherche avec. It is in the halls of Kasr el Aini that Layla reacts pointedly to another medical student who blames a poor female patient for her own condition. For more information: (doorman) in Anna’s apartment building. Lissa team visits Cairo University Medical School, January 2016. Anna is the daughter of an American oil executive in Cairo.
As she matures, Layla finds other places to study and concentrate on her work. As they began drawing scenes from the book, they came up with a great way to incorporate these feline companions: symbolism! It offers subsidized healthcare for poor patients who also form the basis of medical students’ clinical learning. In a pivotal moment of misunderstanding that marks the beginning of a gulf between the women, we see the cat move away and then abruptly depart in the final panel. Although cancer genetics and prevention programs are associated with most major cancer clinics in America, they offer medical services that many people in the United States are not able to afford, and services that Layla might not fully appreciate or understand. The older, wealthier, and greenest parts of Maadi are inhabited by affluent Egyptians and many North American, European, and Asian residents affiliated with embassies and international corporations. As Layla grows into a confident young woman, we see her grapple with the various social and political ills that led to her father’s disease. Photography also offers her solace, since it was a passion that Anna shared with her mother, and one that provided a connection to deceased family members. Photograph of a dialysis patient in Egypt, May 2004. Graphic novels are, simply defined, book-length comics. After this scene, as the distance between the women grows, cats are noticeably absent from their time together. The book is now available for order online.
See the trailer for In the Family, a 2008 documentary by Joanna Rudnick, a Chicago filmmaker who struggled to make decisions about her own genetic cancer risk. PART III: Revolution In the more congested apartment buildings in the center of the city, the bawab (or doorman, or porter) often occupies a basement or ground floor apartment of the building he guards. Readers also witness the double-edged sword of this genetic information: she is grateful to be able to access this knowledge but overwhelmed by the difficult choices she might have to make if she has a BRCA mutation. Accueil; Mot de passe oublié ? The Urology and Nephrology Center at Mansoura University is an anomalous success story in Egypt. First, they show up on Anna’s desk, sitting side by side as a symbol and reminder of enduring friendship when Layla calls in a moment of need and Anna rushes to support her. As a child, she formed a deep friendship with Anna while they caught geckos in the building courtyard and played “Kitty Clinic” with the neighborhood stray cats. There is no one there to comfort her, as she has lost all of her close relatives on her mother’s side and her father and friends don’t fully understand. Readers Response Anna realizes that she no longer has to contend with “risk” as a personal problem that she alone must solve, and alongside Layla, can begin to imagine what risk can mean as a revolutionary call. See the trailer for In the Family, a 2008 documentary by Joanna Rudnick, a Chicago filmmaker who struggled to make decisions about her own genetic cancer risk. Behind the Scenes: Making of LISSA The Lissa artistic, writing, and film team walked through Maadi to gain visual reference material and to visit Anna and Layla’s schools. Upon his return to Egypt, Ahmed attempts to vote in the parliamentary elections of 2010, and he is bullied at the widely fraudulent polls. The name of the graphic novel, Lissa, meaning “not yet,” “still,” “there is time,” in Arabic conveys hope and sacrifice coupled with breathtaking and indispensable artwork.” — SAID “I was very happy to see someone who looked like me in a graphic novel. A hijabi is rarely shown in graphic novels. PART II: Five Years Later Readers Response Collaboration between the story writers and artists was especially challenging when changes were made to the script.
Maadi is a quiet, green area south of downtown Cairo, located on the eastern banks of the Nile. Older than his sister, Layla, Ahmed is of the generation of male youth who, frustrated with the lack of economic prospects in his country, migrated to the Arab Gulf to work in backbreaking construction projects. In Lissa, Anna’s father works for a transnational oil company located in Maadi, and Anna attends the American school (Cairo American College) also in her neighborhood. Louise Sarant, “The Local Bawab: Beyond the Surface,” Egypt Independent, December 13, 2009. Hepatitis C is a disease that afflicts a large portion of Egyptians (estimates vary between 10 percent and 30 percent), in large part due to public health campaigns in the 1970s and 1980s that accidentally infected people through injections to treat or prevent schistosomiasis. And then, as the women visit Abu Hassan’s grave, a cat brushes past their feet, present yet aloof, as it foreshadows the beginning of a resolution.
LiSSa : Littérature Scientifique en Santé ; Constructeur de Requêtes Bibliographiques Médicales; Aide. As such, it is a sharp contrast to the Kasr el Aini (Cairo University) Hospital where Layla receives her medical training, which is under-resourced and overcrowded. Anna and Layla grow up in the gardens of the courtyard playing. In a clip from In the Family, three sisters get their genetic test results together. Ganzeer’s “Cat of Defiance.” Permission granted from ganzeer.com. Votre sélection. PART I: Cairo PART II: Five Years Later PART III: Revolution Behind the Scenes: Making of LISSA Readers Response Order Book. Layla is the daughter of the. Today, it is a large tertiary care center, adjacent to Tahrir Square, and serves as the main hospital for Cairo University Medical School. For more information: As we see with other characters in Lissa, not all Muslim women in Egypt choose to cover their hair. Moteur de recherche référençant 126491 ressources en libre accès et en Français dans le domaine de la Santé. Photo taken by Francesco Dragone. PART III: Revolution When her mother falls ill, she finds strength in her close friendship with Layla. As tensions begin to resolve, the cats reappear. Graphic Novels.
Although cancer genetics and prevention programs are associated with most major cancer clinics in America, they offer medical services that many people in the United States are not able to afford, and services that Layla might not fully appreciate or understand. Facing Our Risk of Cancer Empowered (FORCE), PART I: Cairo Layla is the strong support that Anna needs as she faces the devastation of her mother’s cancer and eventual decline. Sometimes they tell a single, continous narrative from first page to last; sometimes they are collections of shorter stories or individual comic strips.
Affiner. Readers Response Lissa is a graphic novel written by academics Sherine Hamdy and Coleman Nye, and illustrated by artists Sarula Bao and Caroline Brewer. PART II: Five Years Later Heedless of her warnings and despondent over the death of his father, whom he could not help save, Ahmed takes part in the violent clashes between the military and protesters in Muhammad Mahmoud Street in November 2011. And as Layla struggles to comprehend her friend Anna’s medical decision, we glean a more critical perspective on the disproportionate standards of medical care in our unequal world. Layla attends the public Egyptian girls’ school in the neighborhood. In another clip from In the Family, filmmaker Joanna Rudnick visits a support group. Caroline made the corrections, and the final page (on the right) is what is depicted in the book. I would certainly assign this book again and again and I hope it gets the wide readership it deserves."
BRCA Genetics. Ultimately, they come to realize that there is still time to work toward a better tomorrow. Despite my initial apprehension about leading a class discussion on a graphic novel, the conversations we had were most exciting and energetic. For Layla, Mansoura represents her hopeful vision for Egypt’s future in medicine. Medical school is a complex terrain for Layla: it is there that she meets nurturing and inspiring people such as Dr. Dina Shokry, but also arrogant doctors who scorn their poor patients.
In Lissa, Anna’s father works for a transnational oil company located in Maadi, and Anna attends the American school (Cairo American College) also in her neighborhood. As both girls face family health crises at home, and reckon with illness, risk, and loss in different ways, their friendship is put to the test … until revolutionary unrest in Egypt changes their lives forever. Cancer Genetics and Prevention Programs in the United States Photo taken by Francesco Dragone. Anna and Layla must learn to come to terms with illness, faith, and political resistance against the backdrop of Egypt’s Arab Spring. You will see throughout the story that Layla does not cover her hair when she is at home, amongst family members.
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