Those who just want to print out the calls and take them off to teach it without having to sort through my reconstructive nattering, despair not: there's a link at the bottom of this post to a PDF handout you can download. The fault is not with the Association. Schottische The Schottische is one of the oldest of all dances, one of the most fundamental of the dance steps.
It reappeared in George Washington Lopp's La Danse (Paris, 1903) under the name La Highland Glide (Schottisch). Step forward left2. 312 of Austro-Hungarian composer Alphons Czibulka (1842-1894).
In the earliest descriptions, it was called a "combination of two movements, a polka and a circular hop, the two combined making up a most agreeable variety". | Second Part (two bars of four beats each), solicited dances from dancing masters across the United States and in Europe and South America, in the online collection of Goucher College, a couple of other American "gavotte" variations, Tales of the Schottische from Godey's Lady's Book, another copy with a green scrollwork border, Dancing and its relations to education and social life, A Complete Practical Guide to the Art of Dancing, Professor M.J. Koncen's Quadrille Call Book and Ball Room Guide, The Pan-American Glide (a 1910s Schottische), À la Militaire: Late Victorian Dance Variations from M.B. I've discussed a couple of other American "gavotte" variations before, but both of those were for the schottische. The fashion is now to imitate the Waltz step in place of the hops. Origins of the SchottischeOne of the most popular couple dances of the mid- to late 19th century, the schottische first began appearing in dance manuals in the 1850s. The schottische is a partnered dance, thought to have originated in Scotland, Bohemia, or Poland; it is a basic step made up of two sidesteps to the left and right, followed by a turn in four steps.
I mentioned the Bon Ton Gavotte briefly and unflatteringly a couple of months ago in the context of its possible appearance on an 1894 dance card. throughout. My first American source for the dance was, unsurprisingly, M. B. Gilbert's Round Dancing (Portland, Maine, 1890), which collected a wide assortment of the couple dances of the 1870s and 1880s.
The Schottische is one of the oldest of all dances, one of the most fundamental | | Hop, swinging R foot forward "Caprice" on a dance card might refer specifically to the mazurka-like Caprice (or Caprice Schottische) described by M. B. Gilbert in Round Dancing (Portland, Maine, 1890) or to one of the occasional named caprices.
Much to my astonishment, the answer in this case seems to be yes. I am apparently fated to try to make sense of it.
La Franco-Russe is another of the short French schottische-based sequences of the late nineteenth-century France. It's not clear to me what choreographic or musical trait, if any, distinguishes a caprice from a schottische, but I have found more than a dozen examples of them on New England dance cards from the mid-1880s into the 1890s. But there are problems with the traveling turn as well. Of the dance's name, Gilbert complains that: This does not stop him for long. The variation itself is negligible, but fitting it in among related schottisches of the late nineteenth and early twentieth century is interesting. The five-step schottische was not E. Woodworth Masters' only choreographic effort.
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